Submissions for Mixed Media 2019 are now open: visual artists from the worldwide scene working in a variety of media and disciplines are invited to submit their works. We’ll seek to explore issues and concepts in relation to the embodied experience in time and space; the hybridization between identities and cultures; as well as the binary constructs of social spaces and identities. We are looking for creative minds, emerging artists and professionals widely different artistic fields. Proposed ideas are of more significant importance: we are particularly interested in highlighting work in all media that pushes boundaries in terms of form and content, is ambitious and timely, and is experimental and risk-taking.  From the curatorial perspective, the main focus of Mixed Media 2019 will be on the intersections between perception, memory and identity. Creating art isn’t always done by conventional means nor with conventional materials. The challenge becomes strategizing and synthesizing the disorder that is unavoidable when combining varying mediums.

• There are no restrictions regarding age and nationality of the applicant.

• Groups and collectives are accepted to participate as well.

• Prospecting participants must submit a short abstract describing their works and additional attachments for a thorough evaluation of the contribution.

• Any further related materials as high resolution images links to video or audio, pdf files, such as your CV and your artist's statement can be sent via email to our board directly to: mixedmedia@europe.com
  There are no entry fees: submitting projects to Mixed Media 2019 is absolutely free of charge.

  The deadline for proposals is November 29th, 2019

  Shortlisted applicants will receive a communication directly from our board in December 2019

EVENT SHOTS IN THE LIGHT AND THE DARK: Directors Lounge at MITTE MEDIA FESTIVAL, 5 – 6 May, 2017

The lights are on and the gloves are off for this sensory assault of choicest knock-out punches from around the world of DL. Stories are told, implied or avoided in a rush of shorts spread over two venues and three programs. We are pleased to participate in the Mitte Media Festival, a two-day, multi-venue celebration of video, film, publication and performance works through a spectrum of media starting on May 5th . http://directorslounge.tumblr.com/post/159953260007/shots-in-the-light-and-the-dark-directors-lounge

Jenny Saville in conversation with Nicholas Cullinan

Jenny Saville is joined in conversation with Nicholas Cullinan, Curator, Tate Modern. This very special event is a rare opportunity to hear the artist discuss her recent practice in the context of the exhibition at Modern Art Oxford.
British artist Jenny Saville (1970), one of the Young British Artists, deconstructs the stereotypes of beauty and eroticism of the female body as seen through art and through men, and then broadens them. She experiments with obese women and changes in the body, but above all she uses her own body as a model and means of reflection. She reveals the natural beauty of the individuality of the women she paints, and her own. This defines her artistic language as much as her traditional pictorial technique. Figures are the sole focus of attention of her huge canvasses, which often cannot contain the whole figure in the same way that our selves cannot control our bodies. Her painting and her skill at drawing spawn a multiplicity of realities that build movement.  Recent solo museum exhibitions include Museo d’Arte Contemporanea, Rome (2005); Norton Museum of Art, Florida. Saville’s works are featured in several public collections, including the Metropolitan Museum of Art, New York; The Broad, Los Angeles; Museum of Contemporary Art, San Diego; and Saatchi Collection, London. Saville’s work was included in the 50th Biennale di Venezia in 2003.

Interview with Canadian figurative painter Andrew Salgado

Andrew Salgado has been hailed as one of the most promising young figurative painters working today, riding atop 11 sold-out exhibitions, and being endorsed by critics like Tony Godfrey, Edward Lucie-Smith, and more. Saatchi Art calls him "one to invest in now"; and Artsy states he 'complicates portraiture [with] a sense of frailty and potency'. He has been featured in GQ, the Evening Standard, The Independent, METRO, The Globe and Mail (CAN), Macleans (CAN), and more. In 2015 Salgado curated The Fantasy of Representation at Beers London, including work by Francis Bacon, Gary Hume, and Hurvin Anderson. He is featured in 100 Painters of Tomorrow, (Thames & Hudson, 2014), and is subject of a 2015 documentary, Storytelling (www.storytellingfilm.com). He frequently gives to charities, including Terrence Higgins Trust and is a patron of Diversity Role Models, among others. Forthcoming solo exhibitions include TEN, a survey exhibition at The Canadian High Commission, Trafalgar Square, London, (Jan-Feb 2017) to coincide with an artist monograph of the same name available now for purchase HERE. This is followed by an institution exhibition, A Room With a View of the Ocean with Rhys Lee at Lauba Art House in Zagreb, Croatia (May 2017).
In 2015 Salgado curated The Fantasy of Representation at Beers London, including work by Francis Bacon, Gary Hume, and Hurvin Anderson.

Cherrie Haas interviews abtract painter Jodi Ohl

Find Jodi's instructional videos at http://www.northlightshop.com

Jodi Ohl is best known for her whimsical paintings and her abstract acrylic paintings but what we learned in a behind the scenes interview with her is that Jodi got her start in watercolor painting! Find out how Jodi jumped into art making, why she stopped watercoloring and got into acrylic, and about the power of an encourage word. For three years in a row, Jodi’s paintings have been featured in the curated books featuring the best of mixed media, “Incite 2,3 and 4”.

Recently, Jodi had the distinct honor of being the featured artist in Somerset Studio magazine’s Nov/Dec 2016 issue and will be the guest columnist for Cloth Paper Scissors in 2017. Jodi enjoys writing about her art and sharing the love of healing and motivation through creativity.   In addition, Jodi is a popular mixed media art teacher online and in person, teaching at both large and small local and national workshops around the US.  Published in over 27 international mixed media magazines such as Cloth Paper Scissors, Somerset Studios, Artful Blogging, Artful Journaling, Somerset Holidays and Celebrations, and Cloth Paper Scissors Studios, Acrylic Artist, as well as a contributor to five  mixed media books. 

An Interview with Nick Cave at the Institute of Contemporary Art/Boston

Artist Nick Cave spent several days installing his solo exhibition at the ICA Boston in February. While he was here, we asked him about the evolution of his newest works, the surprising inspiration behind his legendary Soundsuits, and what it feels like to put one on.
Nick Cave creates “Soundsuits”—surreally majestic objects blending fashion and sculpture—that originated as metaphorical suits of armor in response to the Rodney King beatings and have evolved into vehicles for empowerment. Fully concealing the body, the “Soundsuits” serve as an alien second skin that obscures race, gender, and class, allowing viewers to look without bias towards the wearer’s identity.
The artist also works with choreographers, dancers, and amateur performers to produce lavish community celebrations in untraditional venues for art. Dazzling in their movement, Cave’s sculptures are crafted in collaboration with artisans from a dizzying array of materials that include beads, raffia, buttons, sequins, twigs, fur, and fabric. The “Soundsuits” are also displayed in exhibitions as static sculptures, arranged as groups of figures in formation that are striking in their diversity and powerful stance. Cave’s sculptures also include non-figurative assemblages, intricate accumulations of found objects that project out from the wall.


Laura Bartlett Gallery

Laura Bartlett Gallery has been operating since 2005 and represents British and international artists. Since 2013 the gallery has been located in a 2000 square foot former factory space on Herald Street, in Bethnal Green, London's East End. The gallery stages solo exhibitions throughout the year of its established and emerging represented artists, as well as curated group exhibitions of invited artists. Laura Bartlett Gallery participates in numerous international art fairs  http://www.laurabartlettgallery.com

Hales Gallery, Deptford, South London

Founded by Paul Hedge and Paul Maslin over 20 years ago, Hales Gallery opened in 1992 as a contemporary art space in Deptford, South London.In March 2016 Hales opened a permanent office and viewing gallery in New York's Lower East Side district. The expansion, headed by Hales Director Stuart Morrison, acts as a platform through which to further reinforce the connection between the London gallery's roster of artists and the international art community. http://www.halesgallery.com

Luxembourg & Dayan, New York City

Luxembourg & Dayan has developed a unique program focused mainly on exhibitions of significant but under-appreciated postwar European artists. Operating on the fringe of European Pop, Arte Povera, and Nouveau Réalisme, idiosyncratic artists like Domenico Gnoli, Mario Schifano, Martial Raysse, César, and Enrico Baj were marginalized from dominant discourse for decades. In revisiting these artists, the gallery has renewed critical interest in their oeuvres. . Though the gallery does not represent artists, it has established strong, ongoing relationships with artists and estates. http://www.luxembourgdayan.com

Simon Lee Gallery, London

Simon Lee Gallery was founded in 2002 in Mayfair, London. It represents artists of diverse generations whose practices range from sculpture and painting to video and photography and who share a broad interest in an exploration of the conceptual. Aiming to provide a significant British and international audience for its artists, the gallery also regularly punctuates its programme with historical exhibitions and curated group shows. These projects combined with the gallery programme further the commitment to a discourse on art and culture in the London context. The gallery publishes catalogues and artist’s monographs.  http://www.simonleegallery.com

Konrad Fischer Galerie, Dusseldorf

In October 1967, when Konrad and Dorothee Fischer opened an exhibition space in Dusseldorf with an exhibition of work by Carl Andre, Minimal and Conceptual Art were virtually unknown in Europe. Many artists of those days, including Richard Long, Bruce Nauman, Sol LeWitt, On Kawara, Lawrence Weiner, Hanne Darboven and Robert Ryman had their first European solo exhibitions at “Ausstellungen bei Konrad Fischer“ and their work has been exhibited by the gallery ever since. Konrad and Dorothee Fischer’s approach consisted of inviting the artists themselves to Dusseldorf rather than just having their works presented there. This not only led to the development of an international network of artists, it also contributed to the creation of site-specific sculptures, paintings and installations. Daniel Buren introduced his interventions, Gilbert & George found a platform for their “Singing Sculpture” and Wolfgang Laib installed sculptures made of beeswax and pollen. http://www.konradfischergalerie.de

Peter Blum Gallery, New York City

Peter Blum has collaborated with a wide range of artists both as a gallerist and publisher since he began his career in 1971 at Galerie Beyeler in Basel, Switzerland. In 1980, after moving to New York, he founded Peter Blum Edition, where he was among the first print publishers to work with a new generation of European and American artists. Peter Blum Edition has since published important editions by John Baldessari, Louise Bourgeois, Tacita Dean, Eric Fischl, Alfredo Jaar, Alex Katz, Barbara Kruger, Sherrie Levine, Brice Marden, Josef-Felix Müller, James Turrell, and Luc Tuymans, among many others. In 1984, Blum co-founded PARKETT magazine, working directly with international artists and critics to create an engaging forum for contemporary art. Over the years this space has hosted important exhibitions- both of recent works and also historical surveys- featuring works by artists such as Alighiero e Boetti, Louise Bourgeois, Francesco Clemente, Helmut Federle and Suzan Frecon http://www.peterblumgallery.com

Painting from Photographs Makes Sense

In this popular article, Timothy Jahn raises a few good points on why we should be open to painting from photographs, what kind of things to be watchful of when you do, and the different kind of images you can get from point-and-shoot, phone, and DSLR cameras. All his insights serve as a great warm up to Johannes Vloothuis’ Paint Along 33: From the Photo to the Painting: How to Simplify, which is taking attendees right now. Teach yourself alongside Johannes and see if painting from photographs is right for you and your art. Enjoy!

It seems as though people have been arguing about the use of photography in fine art since it even became an option. Many artists feel as though using photography or painting from photographs is cheating or they are misled regarding the use of the tools. I’m reluctant to learn new technology, but happy when I do. Yes, I use digital photography as part of my reference gathering techniques. And while it’s true that digital photography was not available to Rembrandt, that’s not going to stop me. I also use Penicillin, multivitamins, and light bulbs. Some inventions just make sense to utilize. We all have to make a choice between the tools available to us and our enjoyment of our process. If you get excited about only working from life, by all means keep doing it.
There are many wonderful camera companies, although I’m most comfortable with Canon. Some of my apprentices have recently purchased the Canon EOS Rebel T5 and it takes great photos. Nikon makes wonderful products as well. Our studio uses an entry level DSLR D3100 by Nikon and the images are easy to work from.

KOOKOO feat. FRANK BRETSCHNEIDER (raster-noton)

OHM Gallery, Köpenicker Straße 70 Berlin 10179

The lights are on and the gloves are off for this sensory assault of choicest knock-out punches from around the world of DL. Stories are told, implied or avoided in a rush of shorts spread over two venues and three programs. Everything you need to reactivate undernourished cinema-hungry brain cells will be served up – plenty of DL premiere gems in the bunch, plus other bright lights from a slew of bright minds.We will be presenting two screenings at Z-Bar, Bergstraße 2, Berlin at 6 pm and 8 pm, presented by André Werner and Kenton Turk. An Urban Research program curated by Klaus W. Eisenlohr will take place at the Fata Morgana Gallery. Mitte Media Festival partners include: FATA MORGANA, Leo Kuelbs Collection, coGalleries, Konstantin Kopietz, Last Night in Berlin, Chased Magazine, BRLO, Directors Lounge, Z-Bar and more.
http://directorslounge.tumblr.com/post/159953260007/shots-in-the-light-and-the-dark-directors-lounge